Wednesday 24 November 2010

Evaluation


Evaluation
            To achieve in this assignment we had to produce two cross media platform radio shows. Firstly I will asses how the show I produced with Mike,  Matt and Rob went and then evaluate the other show, which although I did contribute to, it was more the project of Weeze, Ella, Olivia and Jack.
            The Morning Glory show (our show) I believe first of all has the correct kind of name which sets the style we were trying to achieve, it’s light hearted  and a bit of a joke, obviously it is also in the morning. The graphics and astons which accompanied the show utilized bright colours, appropriate to try and wake people up, which was the goal of the show. If we were given the task again I think that producing some moving graphics would be a good idea, to add another dimension to a fairly mundane aspect of our show.
            With regard to the vocal proximities we employed in our show, I think we did quite well given the equipment we had. Ideally we would have had another microphone so that every presenter could be the same distance from the microphone, to give the listener more perspective of the room; that it’s essentially like 4 friends sat round in a circle, this would help make the listener feel more connected to the presenters and ultimately more comfortable. I think the tone of our voices was good, particularly when Mike was making small talk, for example, ‘what did you get up to at the weekend?’, everyone replied with correct inflexions in their voice, most importantly, it wasn’t monotonous, this would’ve come across very boring to our target audience. I think possibly with more rehearsals we could have tightened up the small talk and made it a bit more seamless and flowing, this would help keep the pace of the show up.
            Content within our show, I thought, was appropriate however we possibly could have had one or two more features. Firstly, ‘WoodChuck Chilli’, this is an entertaining, rather immature game thus it did appeal to our target audience, from the sample of people I have spoken to after the show, they found it funny and engaging. This feature would also be sustainable within a regular show so it is quite practical, you can have any number of people taking part.  I think Mike’s role within it was key, the pace of his voice kept the game moving and people listening, he also had the correct tone which gave him a position of power over the two contestants which was vital as on the radio, it’s a single sense medium. With regard to the contestants, myself and Matt Bird I think we should have taken the single sense medium into account more, and described more about what we were experiencing, however the first chilli was so painful, I could think of little more than wanting to drink a lot of yogurt. This was edited in Soundtrack Pro, the boring middle pieces taken out and  ‘the best bits’ left in, this was vital and the reason we did it as a pre recorded feature because with a game like this, there is logistical complexities which would become boring to the listener if it was recorded live.  

Friday 5 November 2010

Audience Feedback

Audience feedback is essential in order to accurately evalute our program. To obtain this feedback we shall utilise our Facebook page, on there we will give a link to the show so people can re listen to the show, then comment on the discussion we have set up, this will give us our first piece of feedback.
   To get deeper results, we will also conduct a focus group, where we bring a selection of people into a room, play back the show and then ask them to make notes and report back to us on good points/bad points etc.

'The Morning Glory Show' Treatment

This is the treatment we created as a group for our show, showing the details of 'The Morning Glory Show'.


Working Title: The Morning Glory Radio Show

Format: Audio/Visual on USTREAM.tv
Estimated Duration: 1 hour

Intended Audience:

16-19
ABC1
Interested in socialising, shopping, music and sports.
Preferential music taste is Pop & Indie.

Synopsis:

The Morning Glory Show is a light-hearted morning radio show designed fully with the purpose of waking up its audience in a friendly way, getting them ready for the day with banter, features and the best and most current pop/indie.
We will have three main features to work round. They will be our main pillars, holding the show up. The features are: Barryoke, Wood Chuck Chilli and the fact of the day. Barryoke is a comical feature where the selected 'Barry' for the day mumbles the melody to a well known song; it is then the task of the radio presenters to guess what it is. Our second feature is wood chuck chilli, this will be pre-recorded and it will also feature visual properties as it will be recorded and put on our YouTube channel. The premise of Wood Chuck Chilli is a competition between two people, they will have to digest spicy foods (chillies, sauces etc) and then say the tongue twister "how much wood can a wood chuck chuck if a wood chuck could chuck wood"; we feel this will have comical circumstances that will leave listeners/viewers laughing. Our third feature is "Fact of the day", this is designed to leave our listeners with an interesting few facts to approach their day with.
We are basing the format of the show on the Chris Moyles Radio Show; the same style of presenting and an equal amount of banter. We have chosen to do this as the Chris Moyles show is a popular radio show, especially amongst our target audience (something we also researched in our primary research).
Budget: There will be no budget required as we have free access to the radio studio at Stratford upon-Avon College.

Feasibility: We will be able to complete the job perfectly and professionally as we have assigned clear and concise job roles for every person in the group and we have several weekly meeting times where we will discuss ideas/thoughts and also practice the radio show when the radio studio is available.

Rationale: The Morning Glory Show will appeal to our target audience because we are confident the content we will chose will be appropriate. We know this through the primary and secondary research that we have done (refer to primary research analysis). For example, we found out that 16-25 year olds are interested in Music, Features/Quizzes and Chat/Banter therefore these are going to be main content characteristics of our show.

Radio Show Analysis

Radio Station Analysis
                The soul purposes of radio are to inform and entertain. There is literally thousands of stations throughout the world, this is because everyone is different and has different tastes to be catered for.  Therefore, each radio station has differences in the way in which they are presented and broadcast so they can best suit their target audience.


                The first station I will look at is Asda FM. Asda FM broadcasts to 18 million shoppers per week according to an article written by ‘The Guardian’ newspaper; although this is not an official statistic I believe it is very close to reality, taking into account how many people shop each week. Such a large audience is incredibly difficult to tailor a show to, thus the shows style is rather indirect, not talking very intimately with the listener, this is because there will not be just one demographic group listening, there will be a range, all of which must be spoken to in a manner which interests them. Another reason for this lack of intimacy is because the average listener will only pay a fleeting interest in Asda FM as they will just hear it in the background as they shop.
The Djs have essentially the perfect radio voices, this is vital as radio is a single sense medium, meaning everything is spoken word, there is no visualisation to back it up. The DJ’s have voices with a pitch which is mixed, high at times but also low when appropriate, this is pleasing and easy on the ear. The pace is also good, the average amount of words per minute for a twenty – thirty year old is 145, this is what we are used to hearing and thus sounds natural when broadcast on the radio.  Pauses are also used to great effect, a DJ must have great confidence in when he pauses as they can alter the entire meaning of a sentence, ideally pauses are used at the end of sentences and at comfortable, natural sounding times within the sentence if it is long. Finally they project their voice, this is vital because if someone does not project their voice with confidence and clarity they will come across as uncertain/uneasy, this has an effect on the listener and can make them tune out because this lack of conviction can be uncomfortable for the audience. Projection is particularly important for Asda FM the DJ’s are far from monotonous which does grab the attention of people who hear it, this means people are more susceptible to the adverts which are played throughout the shows which tell the audience about special promotions etc. within the store.  Putting these components together, you will have a DJ who is confident, fulfilled, self assured and positive, consequently putting the listener at absolute ease and in the perfect position to take in the information being fed to them. 
In store is not the only platform for this radio station, it is also broadcast live, throughout the day on the internet (http://www.asda.co.uk/corp/asda-fm.html) , attracting around another 1000 listeners (according to the same article, by a credible newspaper). This second platform means the adverts and promotions are being broadcast to people beyond the shop, this is beneficial for Asda as it can attract people to the store. 
                The playlist used on Asda FM consists mainly of popular music from within the last 5 years,  pop music is used because it has the largest audience and entertains the majority – Entertaining the majority is what Asda FM have to aim for as they cannot cater to individual tastes with such a massive audience of over 18,000,000, if they did it would leave large sections of audience unhappy.


                The next station I will look at is BBC Radio 1, in particular, Chris Moyles’s breakfast show. Unlike Asda FM, the Chris Moyles show has an audience of around 7.72 million people, according to RAJAR.  This is less than half of Asda FM so Chris Moyles and his team tend to be more intimate and close to the audience, although most of the time they are indirect as they talk amongst each other as oppose to directly to the listener, you still have a feeling and a sense that you are part of this friendship group. This is a feeling which is vital to the success of the show, as it is based upon humour and ‘having a laugh’, something which is common between friends. We know the show is about fun because of the informal way the DJ’s talk amongst themselves, also due to the features that are played, such as ‘Car Park Catchphrase’ – A fun game as in its original context was supposed to be seen visually as oppose to listened to. Everything right down to the humorous jingles and fairly fast paced upbeat music beds tell us that the show is not meant to be taken too seriously.
                The Chris Moyles breakfast team consists of Chris Moyles, the main presenter and anchor,  Comedy Dave,  Aled, Sam, Dominic and Tina. As you can see this is a good mix of male and female, thus pleasing to the audience who are a mix of genders however the men do speak more, which is something Moyles has done intentionally as in an  interview with ‘The Daily Record’ he does admit that the show will target males slightly more than females.



Something that helps make the show look more fun and less corporate is that Sam, the producer is often heard joining in with the antics in the studio, this makes everyone, presenters and listeners alike feel more relaxed. Although the DJ’s heard do have good voices for the radio, with steady pace and pleasantly mixed pitch you do not necessarily notice it as much as you do with the Asda FM DJ’s, it is much less obvious. After listening to the show for a while you become less and less aware that they are DJ’s and they become more like friends chatting to you as they would down the pub. Again this is perfect for their target audience of 15 – 29 year olds.
Another thing which helps the listener identify and connect with the show is the fact that it does not have to be a single sense media, it is now a cross media platform; the audience have the opportunity to log onto the internet and view live webcam pictures of the presenters, watch YouTube clips of the team outside the studio and read profiles of each of them on the website. This connectivity helps ease the audience even more, thus enhancing their ability to laugh along with the show.  The show is also broadcast live on the internet thus opening up avenues for worldwide listeners and not just people based in the UK. Podcasts are also produced so that people who do not neccasarily want to listen to the full 3 and a half hours can listen to a condensed version of ‘the best bits’. This means there is yet another audience of people who maybe can’t listen in the morning but can now listen on demand.



 Finally I am going to look at ‘Matchday Live’ a program on TalkSport radio presented by Adrian Durham. It broadcasts every Saturday afternoon, except on International football weeks. It’s main aim is to inform the audience of every goal scored throughout the football leagues in England and Scotland. The show has a 76% ABC1 profile with understandably an 85% male audience, this is because the show is absolute football, which is of interest mainly to men, this is reflected in the fact that the presenter is male.
The mode of address is fairly formal as ‘the lads’ in the studio discuss the latest happenings in the football world, interaction with the audience is common place after the games finish with fans phoning in and voicing their opinion, at this point the DJ becomes very direct in his manner of speech and talks to the fans, also encouraging other people to phone in and voice their views.
                Unlike most other radio shows, there is no music, it is just constant football news which is perfect  for the football fan.
Adrian Durham’s speech is, as I said, just like ‘one of the lads’. The pitch of his voice is a normal sounding mix of high and low, for the most part, however if there is exciting action occurring in the match, his pitch will change to a higher note and the pace of his voice picks up, this helps involve the audience as he is conveying the action occurring in front of him through his voice. Understandably there is very few pauses in his sentences because it is literally nonstop action with events happening right across the countries football grounds.
This show differs greatly from The Chris Moyles show, for example. There is much less emphasis on fun,  as the talk turns fairly serious at some points, it is important that Durham takes the show seriously because for some people, football is an incredibly important and passionate game, he must fullfill the needs of his audience by supplying them with the vital information in an understandable, clear manner.

Cross Media - Facebook


Another technological advancement is social networking. This also gives a new dimension of audience interaction, our Facebook page is designed to give the latest news and views from The Morning Glory show, keeping our current listeners informed but also intising new listeners. It also means the audience can get to know the DJs a bit more which makes the show more intimate and comfortable for the listener.

Cross Media - Video


Advancements in technology now mean that radio show no longer have to be a single sense medium. The introduction of things like YouTube mean radio shows can also upload their videos, meaning the world can interact in a new dimension. We have followed suit and made content to accompany our show on YouTube. For example. the feature 'WoodChuck Chilli' was filmed and is now online so people can watch this after they've heard it on the show.

   

Playlist for 'The Morning Glory Show'

Radio One has set playlists named A, B and C.
A list means they have 25-30 plays per week
B list means they have 10-20 plays per week
C list means they have around 5 plays per week.

  On stations like BBC Radio 1 there is a long selection process to decide which songs make their final playlists and onto the radio, ultimately, there is one person in charge of track selection however producers and DJs will have meetings to discuss potential songs, and put forward songs they believe will be big.
  We visited the Radio One website and looked at their playlists, then chose a selection of 11 songs we liked and thought fit in with our research. These songs were;

Katy Perry - Firework
Two Door Cinema Club - I can talk
Biffy Clyro - Boom, Blast and Ruin
The xx - VCR
Chase & Status - Hypest Hype
JLS - I love you more
Kings of Leon - Radioactive
Bruno Mars - Just the way you are
Tinie Tempah - Written in the stars
Cee Lo Green - Forget You
Darwin Deez - Constellations

We then listened to all the above tracks and made a rating system, 1-10 on how good we thought they were, not only in terms of how good the song was but how relevent it would be for our audience based on the previous research we had conducted. We then collated the results, looking at the ratings, the 6 best songs reached our final playlist for the show, they are;

Katy Perry - Firework
Two Door Cinema Club - I Can Talk
Biffy Cyro - Boom, Blast and Ruin
Kings of Leon - Radioactive
Cee Lo Green - Forget You
Darwin Deez - Constellations

We must then relisten to all of these tracks carefully to ensure they are not explicit, in order to abide by watershed regulations. We also need to put them in order and slot them into our running order.

The Morning Glory Show - Running Order

The running order for a radio show is a vital component. It is crucial because radio show timing has to be pinpoint, if a show finishes at 10am it must finish dead on, or the whole day will be out of time. This means to fit everything in, each piece of content must be timed and the DJ must stick to these timings. It also helps the show run smoothly and make everyone feel more comfortable because they know what is coming next, meaning there will be no dead air, thus a better, more flowing program.
This is the running order for our show, 'The Morning Glory Show'.  The item shows what kind of content it is, ie. 'Jingle' or 'Intro'. The description details exactly what the feature is, then 'Deck' shows what mics need to be faded up at that time. Est. Time shows the DJ how long the feature takes, or should take to finish.


GMT Time Â
ITEM
Description/Name
Deck
Est. Time
Act. Time
0930
INTRO
“the time is now” jingle
PC 1
36 secs
36 secs
0930
SNDBD
Sound Bed
PC 2
-
10 mins
0930
INTRO
Introductions
MIC 1,2,3
10 mins
10 mins
0940
SONG
Katy Perry - Firework
PC 1
03:46 secs
03:46 secs
0943
JINGLE
Ellajingle.wav
PC 3
07 secs
07 secs
0944
CHAT
Discussion
MIC 1,2,3
2 mins
2 mins
0946
JINGLE
Fact of the Day
PC 1
11 secs
11 secs
0946
CHAT
Fact of the day discussion
MIC 1,2,3
5 mins
5 mins
0951
SONG
Darwin Deez - Constellations
PC 2
03:15 secs
03:15 secs
0954
CHAT
Discussion
MIC 1,2,3
1 mins
1 mins
0955
JINGLE
Time to Rhyme
PC 1
3 secs
3 secs
0955
SNDBD
Time to Rhyme soundbed
PC 2
5 mins
5 mins
0955
CHAT
Time to Rhyme game
MIC 1,2,3
5 mins
5 mins
1000
JINGLE
Braggjingle.wav
PC 3
5 secs
5 secs
1000
NEWS
(see news running order)



1005
CHAT
News discussion
MIC 1,2,3
5 mins
5 mins
1010
FEATURE/
SONG
Wood Chuck Chilli/Kings of leon - Radioactive
PC 4
10:04secs
10:04secs
1020
CHAT
Wood Chuck Chilli discussion
MIC 1,2,3
2 mins
2 mins
1022
JINGLE
Barryoke
PC 1
5 secs
5 secs
1022
FEATURE
Barryoke
MIC 1,2,3
5 mins
5 mins
1027
SONG
Two door Cinema Club
PC 2
02:48 secs
02:48 secs
1030
END
-
   -
-
-

Running Order
Programme Name: The Morning Glory Show